At last, the Artist had finished laboring. He took a step back and surveyed His work. Completely satisfied, He said, “It is very good,” then He rested for a day (Gen. 1:31-2:2). Within this masterpiece are many smaller works – each one a masterpiece in its own right. I am one of those privileged to observe some of these every day, as the Artist
continually touches-up and cares for them. Some of my favorites are “Water,” “Flora and Fauna,” “Sky,”
“Chemistry,” and “Music.” “Chemistry” is the medium that the Artist uses to mold his masterpiece. Within “Chemistry,” I consider Elements, which struggle together as small teams cooperating and building upon each other to construct the entirety of the vast masterpiece, as the Artist directs (1 Cor. 12:12-31). I also observe Fire, which He uses to refine various parts of His masterpiece – eradicating great stains and smears through much toil and patience, as well as strengthening the mold (1 Pet. 1:6-7).
“Flora and Fauna” illustrates the delicacy of the masterpiece. From this we can see how such art owes its existence to its Creator and to the Person who preserves it and cares for it. It is a beautiful creation – filled with untold complexity and variety that give us just a taste of how intelligent and wise the Maker of this masterpiece must be (Rom. 11:33-36). Moreover; through examining the intricacies of the relationships between “Flora and Fauna” set pieces, we discover amazing jewels like care and protection (Matt. 6:25-34).
“Sky” makes use of the Artist’s full palette of colors, patterns, and lighting. The dominant feature – Weather – is a constantly changing canvas. Weather portrays, at times, immense power. At other times it portrays peace, or anything else in-between (Mark 4:35-41). Another feature is Sunrise, sometimes called Sunset. Sunrise is a live exhibition portraying the Artist’s emotions in color. This fascinating display of emotion continually changes as each moment passes. But even when it disappears from view, it’s still there – bleeding, growing, mourning, smiling. Though many parts of the masterpiece fade away after a time, Sunrise never ceases to be. It is at the Beginning and, as Sunset, it is at the End of the masterpiece (Rev. 22:13).
“Water” is the shading technique that connects all of these masterpieces to each other in a pure hue. It sometimes acts as an eraser – cleansing and shaping the foundations for the masterpiece. At other times, it gives life to the masterpiece (John 3:5; 4:13-14): “Sky,” “Chemistry,” and especially “Flora and Fauna,” could not be what they are without “Water”, and wherever “Water” is not, there is instead a blemishing agent called Death.
“For the invisible things of him, that is, his eternal power and Godhead, are seen by the creation of the world, being considered in his works, to the intent that they [men] should be without excuse:” (1599 Geneva Bible) (Brackets added for clarification, based on context)
Art is a way of expressing oneself. The Artist desired to express Himself – His personality – to His masterpiece. So through art, as well, we can see the personality of this master Artist displayed. Through music, we can see harmony – the idea of multiple parts working together as a whole – much like Elements. Through smithing and pottery, we can see His method of refining and strengthening through toil and pain – much like Fire. Through score composition and architecture, we can learn about the mathematics, complexities, and other such evidences of this Artist’s intelligence – much like “Flora and Fauna.” By studying colors, patterns, and lighting – as seen in “Sky,” we can learn a great deal about sin and righteousness (1 John 1:5-10), and about human emotion, a gift bestowed by the Artist upon His portrait “The Likeness of His Image” (Gen. 1:26-27).
Even in the use of our cleaning materials when the work is done we can observe the pure, cleansing nature of the Artist – like that of “Water.” We can observe how they may be used to both erase and create, to make the artwork exactly what the Artist wants (2 Cor. 5:21). Even more; we can observe how, without the proper cleansing Agent, the art may remain blemished or covered up, but never restored – much like those marked by sin, for Death. The Artist can only use the proper cleansing Agent to restore that precious gift of Life to His portrait and make it again, truly, “The Likeness of His Image” (John 14:6).